Enclosure types
How bass reflex, sealed, bandpass, horn, tapped horn and scoop work – with pros and cons.
- Intermediate Bandpass Subwoofer: Driver Between Two Chambers In a bandpass, the driver sits between two chambers, and the sound only exits through ports. This gives a lot of level in a limited frequency band. 6th-order bandpasses...
- Beginner Bass Reflex: How the Enclosure with a Port Works A bass reflex enclosure has a port in which air resonates. Enclosure volume and port form a Helmholtz resonator. Around the tuning frequency, the port delivers a large...
- Beginner Sealed Enclosure: Air Spring Instead of a Port In a sealed enclosure, the driver works into a closed volume of air that acts like a spring. Below the resonance, the level falls at 12 dB per octave – more gently than...
- Intermediate Bass Horn: How a Horn Increases Efficiency A horn does not amplify by itself; it couples the cone better to the air – like an acoustic transformer. This brings a lot of efficiency, but requires large dimensions...
- Intermediate Hybrid Enclosure: When Principles Mix Hybrid enclosures combine several principles, for example a horn channel that at the same time tunes a compression chamber as a port. They are a compromise between size,...
- Beginner Scoop: Short Horn Channel with a Side Effect A scoop guides the sound to the outside through a short, curved channel. It is more compact than a bass horn, but has limits: below its usable range the driver is barely...
- Intermediate Tapped Horn: Both Sides of the Cone Feed a Horn In a tapped horn, the front and rear of the cone feed the same horn at two points. Both paths meet in phase at the horn mouth. The principle is considered particularly...
- Intermediate Transmission Line and Quarter-Wave Enclosures In a transmission line, the rear of the cone feeds a long, damped line. Practical designs emit sound at the end of the line. Tuned as a quarter-wave resonator, the line...